This Weekend: Glasgow Comic Con 2015!

This coming weekend at the CCA Glasgow, from Saturday 4th July to Sunday 5th July, Scotland’s comics scene will be celebrating one of the highlights of its year, with the milestone 5th Glasgow Comic Con!  I have fond memories of the first Glasgow Comic Con I attended back in 2011.  I wasn’t exhibiting or selling my wares, I was just there as a fan.  But the first issue of my debut comic, THE STANDARD – back when it was just a self-published comic released locally in Glasgow – was nominated for a SICBA, and I’m aware that this show was the first time many people became aware of me as a comics creator, meaning this was the beginning for a lot of the things that have gone on to be a part of my life: from career path to the friends I’ve made.  And with each passing year, no matter if I’m also attending Thought Bubble or New York Comic Con or anywhere else, Glasgow Comic Con always manages to be my most profitable convention, because of the passion and enthusiasm of Scottish comics readers in supporting local talent.

Me with some Glasgow comics pals in 2012. So young, so full of hope...
Me with some Glasgow comics pals in 2012. So young, so full of hope…

And that brings us to this year, where I’ll be returning to the show, with my debut series, THE STANDARD, complete, and my follow-up comic, AND THEN EMILY WAS GONE, also complete.  AND THEN EMILY WAS GONE is nominated for a SICBA Award, for Best Graphic Novel.  You can vote for us here.

I’ll be tabling at the show, along with AND THEN EMILY WAS GONE artist Iain Laurie, at the Art Studio venue.  We’re on Level 1, at Table 68:

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But we won’t just be selling our wares and hobnobbing at the SICBA awards ceremony.  You’ll also be able to find Iain and I at the “Owning Your Own Work!” panel on the Level 1 Workshop Room from 1:15pm-2pm, where we’ll be joined by Emma Beeby, Monty Nero, Gordon Rennie and Shaky Kane, talking about our various creator-owned comics projects.

On Sunday, Iain will be participating in the Big Comic Draw event.  I, meanwhile, will be participating in the “GLoW Goes Global” panel at 2:15pm-3pm, where I’ll be joined by my pals Sam Read, Harry French, Colin Bell, Garry Mac and Gary Chudleigh.  We’ll be talking about the writers group that has been running in Glasgow since 2011, of which I was a founding member, and where each of us have gone in our careers since contributing to the collective.

Glasgow Comic Con is always a fun weekend, and I’m sure that will be the case this year too.  If you’re attending, come along and say hello!

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Glasgow Comic Con 2014: THIS WEEKEND!

It’s that time of year again!  There’s a little less than a week to go until Scotland’s comic community comes together for Glasgow Comic Con.  The show will be at the CCA on Sauchiehall Street, on Saturday 5th July and Sunday 6th July. I’ll be at the con, promoting my various comic projects. You can find my table up on the Level 2 Club Room.

Like And Then Emily Was Gone? I’ll have the last remaining stock of the black-and-white small press editions of issues #1 and #2 before the colour edition debuts worldwide at the end of July (this may be your last chance to get those, as once this stock is sold out I won’t be getting any more!), and I’ll also have an exclusive black-and-white preview edition of And Then Emily Was Gone #3 – Glasgow readers will get to see it months before the rest of the world! I’ll also be selling a range of limited edition prints, which look stunning. Only available while stocks last.

ATEWG3Cover

Like The Standard? Well, at last, the series is complete. The final two issues, issues #5 and #6, will be available to buy from my table, months before their general release, with convention exclusive covers. We also have limited stock of all the other issues to let readers get caught up on the whole series.

Standard5GCC
Like Chris Connelly? Well, he drew the convention exclusive covers for The Standard #5 and #6! He’ll be sharing the table with me at the con to sign any copies of the books you buy. We’ll also be selling the first issue of our Glasgow sci-fi series, Bad Sun, and Chris will be selling some lovely original art, and – I believe – doing commissions.

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You’ll also be able to find me at a panel on the Saturday, at 12pm.  In the CCA cinema, I’ll be part of the “SICBA Best Comic or Graphic Novel: Meet The Shortlist” panel, hosted by Craig Nielson, where I’ll be joined by Colin Bell, Craig Collins, Gil Hatcher and Morag Kewell.  Come along to see us all chat up our various comics, and discuss the process of creating them and getting them out into the world.

All that, and my books are also nominated for a bunch of SICBA awards! The Standard is nominated for Best Comic, I’m nominated for Best Writer, and Iain Laurie is nominated for Best Artist for And Then Emily Was Gone. voting is open throughout Saturday 5th July at the SICBA voting booth in the CCA’s first floor bar. If you’re attending, make sure to vote!

Tickets for the show are still available from www.glasgowcomiccon.com. It’s always a great show, and this year we have top notch comic guests like Gail Simone, Howard Chaykin and Erik Larsen, as well as familiar faces from the Scottish comics scene. Come along, have a great time, and support one of Scotland’s fastest-growing creative industries!

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SICBA 2014 Nominees, Featuring John Lees Comics

A couple of days ago, the shortlist for this year’s Scottish Independent Comic Book Alliance awards were announced.  And I’m pleased to report that my comics are nominated in three of the four categories.

The Standard was nominated for Best Comic or Graphic Novel, while I was nominated for Best Writer for my work on that series.  Iain Laurie, meanwhile, was nominated for best artist for his work on And Then Emily Was Gone.  Here’s the full shortlist of nominees:

Best Comic Book or Graphic Novel (supported by CCA: Glasgow)
Beginners Guide to Being Outside (published by Avery Hill Publishing Ltd.)
Crawl Hole (published by Craig Collins)
Crossing Borders (published by Rocket Puppy Press)
Dungeon Fun: Book One (published by Dogooder Comics)
The Standard #5 (published by ComixTribe)

Best Artist (supported by Homecoming Scotland)
Iain Laurie – And Then Emily Was Gone #3
Morag Kewell – Crossing Borders
Neil Slorance – Dungeon Fun: Book One

Best Writer (supported by Black Hearted Press)
Gill Hatcher – Beginners Guide to Being Outside
Colin Bell – Dungeon Fun: Book One
John Lees – The Standard #5

Best Cover (supported by Williams Bros. Brewing Co.)
Craig Collins, Iain Laurie and Derek Dow – Crawl Hole
Neil Slorance – Dungeon Fun: Book One
Jimmy Devlin – Saltire: Invasion

Voting is open throughout the first day of Glasgow Comic Con, on Saturday 5th July, at Glasgow’s CCA on Sauchiehall Street.  You can still buy tickets for the show over at the official website.  Congratulations and good luck to all my fellow nominees!

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Coming Soon: And Then Emily Was Gone #2!

Since its launch in local markets here in Glasgow back in July, the first issue of And Then Emily Was Gone has enjoyed great success.  It got nominated for 4 SICBA awards at this year’s Glasgow Comic Con, the only comic to get nominated for every category.  It has enjoyed a wealth of positive reviews:

Forbidden Planet

Big Comic Page

Broken Frontier

Comic Booked

The Off-Panel Podcast

Comics Anonymous

It’s even had some very nice testimonials from ace comics creators:

“This is a weird comic, but in a wonderful way. Best of all, it’s a comic with its own vision, a unique and bold vision.”

– Michael Moreci, Hoax Hunters, Skybreaker

“This was a wonderful, twisted little surprise. A David Lynch air throughout, it made me feel itchy and uncomfortable, which is the highest praise I can bestow. John Lees’ script is tight and mysterious, with a few curve-balls that really add to the sense of hyper-reality. The off-kilter energy. The real stand-out is Iain Lawrie on art duties. Equal parts Paul Pope, Nick Pitarra and Morgan Jeske (this reminded me frequently of Jeske and Ales Kot’s Change). Despite the content raw as a picked scab, the presentation and print quality is supremely professional. Extremely impressive. Find a copy.”

– Owen Michael Johnson, Raygun Roads

Super awesome, super creepy, super good. I really love the work of everyone involved on the book…”

– Nick Pitarra, The Manhattan Projects, The Red Wing

“This book is amazing, the first issue was ultra creepy.”

– Riley Rossmo, Proof, Green Wake, Cowboy Ninja Viking, Bedlam, Drumhellar

“It’s a masterclass in comics. it’s literate and the art? The art NEVER fails to impress. You just got to find out what happens next… BONNIE SHAW? GREG HILLINGER? THE BOX? What the fuck? It’s a movie for the mind ***** FIVE STARS.”

– Shaky Kane, The Bulletproof Coffin

“…reads really well, the artwork is just fantastic, intriguing premise, quirky and atmospheric and claustrophobic as I would expect – really impressed!”

– Frank Quitely, All Star Superman, We3, Jupiter’s Legacy

 

And after a sellout of our first print run, artist Iain Laurie and I are restocked and ready for our next convention: Thought Bubble in Leeds, on 23rd-24th November.  But it won’t just be more of issue #1 we’ll be bringing.  Nope, issue #2 is now finished, and ready for the show.  Here’s a sneak peek of the cover, drawn by Iain and colored by the magnificent Megan Wilson:

Emily2Cover

In this second chapter, Hellinger and Fiona begin to investigate Emily’s disappearance on the island of Merksay, with its very strange locals and terrifying hidden places.  Plus, we find out what’s in the box!

Glasgow Comic Con Review Roundup!

GCC13TableIt was Glasgow Comic Con this past weekend, and I had an absolute blast!  I was there exhibiting, sharing a table with artists Iain Laurie and Chris Connelly.  I was selling the first issues of my two new books – And Then Emily Was Gone and Bad Sun – and debuting issue #4 of The Standard, as well as copies of the earlier issues and the 1-3 graphic novel from last year’s con.  This was the con’s first year in the new venue of the CCA, right in the heart of the city centre, and I have to say it was a big improvement.  It’s a lovely venue, marvelously designed, and though there were a few minor issues it seems the response I’ve been hearing from both attendees and exhibitors was that they loved the locale.  The sun was glorious all weekend, perhaps a little too glorious on the Saturday as the top floor turned into a hotbox.  But it gave the whole event a fantastic summery atmosphere.

Overall, the con was a huge success.  Sadly, team And Then Emily Was Gone didn’t go home with any SICBA awards, despite being the only comic to be nominated in every category.  However, I made more in comic sales than at any other con I’ve attended thus far, with the most rewarding sales at all being people who either bought one comic on the Saturday and came back to buy the rest on the Sunday, or who had bought The Standard at last year’s con and loved it so much they came back to buy my new stuff.  Beyond the financial side of things, though, it was a pleasure getting to chat to friends old and new, be it fellow comics pros or passionate, enthusiastic comics fans.  One particular highlight for me was seeing this guy pop up in a Frying Scotsman costume!

FryingScotsmanCosplayBut the purpose of this blog isn’t to talk about my experiences as an exhibitor.  I want to talk about how I enjoyed the show as a fan of quality creator-owned comics.  Over the weekend I got a few sketches, jumping back and forth between Iain Laurie and Neil Slorance.  Here’s a look at them:

Bonnie Shaw from AND THEN EMILY WAS GONE, as drawn by Neil Slorance.
Bonnie Shaw from AND THEN EMILY WAS GONE, as drawn by Neil Slorance.
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Gordon from AND THEN EMILY WAS GONE, drawn by Iain Laurie.

Neil Slorance's version of Harry Daghlian from THE MANHATTAN PROJECTS.
Neil Slorance’s version of Harry Daghlian from THE MANHATTAN PROJECTS.
Joseph Oppenheimer from THE MANHATTAN PROJECTS, by Iain Laurie.
Joseph Oppenheimer from THE MANHATTAN PROJECTS, by Iain Laurie.

That Oppenheimer is perhaps my favourite of the bunch.  It makes me wish I had exploited Iain’s good will and got similar onesheets for the whole cast of The Manhattan Projects.  Beyond the sketches, there were of course the comics.  Here are my quick thoughts on the comics I picked up over the weekend:

DARK ASCENSION:  Winner of both Best Writer and Best Artist at the SICBA Awards, Jim Devlin does his most accomplished work yet with this dark thriller.  The main story is 14 pages long, telling a pulpy noir/horror tale of a former grifter lying low as a circus clown who is faced by a sinister figure from his past.  The second half of the book is taken up by a reprint of a tale I read back in 2011, my first exposure to Devlin’s work.  It’s an appealingly nasty little story on its own, but when placed in the context of the main feature it creates this picture of the world of Dark Ascension being like Sin City with a dash of Lovecraftian horror lurking in the background.  It feels like Devlin is crafting the opening salvos of an ambitious, expansive mythology, and I can’t wait to see him progress further into this dark, intriguing narrative.

METRODOME:  The other Glasgow Comic Con debut from my artistic collaborator Iain Laurie, this sees him reuniting with Roachwell partner Craig Collins.  In a testament to Iain’s diversity, this is a very different type of comic from And Then Emily Was Gone, in both tone and execution.  The big supervillain smackdown Craig Collins creates is fun, but the most fascinating aspect of this comic for me is the whole process of how it was put together, as Craig explains in his foreword.  Craig’s fevered imaginings, paired with Iain’s twisted visuals, results in a compellingly weird piece of experimental fiction.

COSPLAY KILLERS:  I didn’t quite know what to make of this.  At first I thought this was supposed to be about a superhero team, which made me feel rather uncomfortable about the extremes of casual violence inflicted on people for seemingly dubious motives.  But if you view the eponymous Cosplay Killers as a gang of psychopaths whose actions we’re not supposed to condone, the whole thing takes on a Grand Guignol black comedy vibe – severed heads in the dishwasher! – that makes for suitably debauched entertainment.

RAYGUN ROADS:  This comic slipped totally under my radar, but over the Saturday buzz for it was building and building.  By the time Sunday came I knew I had to buy it to see it for myself.  And I’m glad I did.  This psychadelic slice of hyper-pop lunacy from creator Owen Michael Johnson is one of the most fiercely original bits of storytelling I’ve encountered all year.  The plot takes the idea of a band of being from a realm of pure imagination colliding with the humdrum regular world as a launching pad, then flies off into the stream-of-consciousness stratosphere, aided by trippy, dynamic artwork.  The whole thing is presented like music in comic form, which seems oddly fitting.  I’ll definitely be on the lookout for the completed edition later this year.

CACACHUTE COMICS:  A collection of various comics shorts made by Coralie Bouguerra.  The earlier stuff in the book feels a bit rough around the edges, but by the time we get to “Sheol” and the second installment of “Zombies, Love and Rock N’ Roll” the work becomes noticeably more accomplished, culminating in the clever little epilogue “It’s Over”.  “Sheol” in particular is noteworthy, a grimly comic account of a lonely, depressed woman’s spectacular mental breakdown.

VAMPIRE VIXENS OF THE WERMACHT:  One of the breakout hits of the convention, selling out on the first day, I was lucky enough to pick up a copy of Alex Ronald’s magnificent grindhouse romp.  Everyone has been rightly gushing about Ronald’s amazing, superstar artwork – as Mark Millar points out in the foreword, the only reason Ronald isn’t an A-list talent right now is that he decided video games would be a more profitable career path and he has only just recently decided to re-enter the comics field – but the story too is a delight.  It features a sexy Nazi vampire hellspawn teaming up with a priest to fight the wicked occult forces of the Third Reich.  Cue a tale that infuses the spirit of adventure from the “boy’s own” war comics of old with the titillation of the raunchier Hammer Horror films.  If you like your breasts opulent and your penises severed, this is the book for you.  A perverse delight.

iHERO:  My good friend and table neighbour Luke Halsall wrote this, paired up with artist (and fellow table neighbour) Graeme Kennedy.  The result is both doing their most ambitious work to date.  Luke’s story, about the creation of an iPad/iPhone/iPod style gizmo that allows anyone to become a superhero, and the effect that has on the world, is a significant step up from the more small-scale, self-contained effort of his Mind Palace comic debut.  Graeme, meanwhile, leaps genres from the murky crime of Villainous to classic superheroics with a twist.  Once again he triumphs with a great cover design, which I saw customer after customer be drawn to on the con floor.

MAXIMUM ALAN:  As bonkers and nigh-indepicherable as the first installment, this splurge of raging id continues to get mileage out of putting Alan Moore in one ridiculous, humiliating predicament after another.  If you ever wanted a shot of esteemed comics luminary Alan Moore’s bare arse as he gets spanked, this is the comic for you.  But this second issue enjoys a major boost over the first one, as it marks the inclusion of Neil Gaiman as a character, brought to life arguably with even greater aplomb than our title character.

And this was just a selection  of the books available.  I had been meaning to pick up SICBA-winner Big in Japan, Royal Descent, See Far Enough and the new issue of Fatman & Ribbon, but was so caught up in selling  I never got round to it.  But I was once again taken aback by all the creativity in the Glasgow comics scene.  Another successful show…. the road to Glasgow Comic Con 2014 begins now!

GCC13Buys

 

A Prelude To BAD SUN…

If you’ve been following the promotional blitz I’ve been running from my blog and social media, you’ll be aware that I am holding a book launch on Tuesday 9th July at Geek Retreat, and that I’ll be attending the Glasgow Comic Con on 13th-14th July.  You’ll also know that, among other books, I’ll be debuting the first issue of Bad Sun, a new sci-fi miniseries written by me, with art by Chris Connelly.

As a final teaser before the comic’s iminent release, I’m excited to present a prologue, drawn by Jason Mathis of School of the Damned fame.  This will be included in that first issue as a backup to Chris’ 24-page main story, but it was just too good to keep as a surprise.  I think it works so well to set the scene for the main narrative of Bad Sun, and hopefullly whet your appetite for picking the book up next week.  Enjoy… and welcome to the Glasgow of the future!

Mathis1 Mathis2 Mathis3 Mathis4 Mathis5Bad Sun launches on Tuesday 9th July, at Geek Retreat in Glasgow.  More details here.

AND THEN EMILY WAS GONE Nominated for 4 SICBA Awards!

On Friday, the official shortlist of nominees for Glasgow’s SICBA awards was announced, and I’m hugely excited to report that And Then Emily Was Gone – my upcoming project with artist Iain Laurie and letterer Colin Bell that’s set to debut at July’s Glasgow Comic Con – has swept the board, earning a nomination in every category.  Here is the shortlist in full:

Best Comic Book or Graphic Novel
Supported by CCA: Centre for Contemporary Arts
(5 Nominees)

And Then Emily Was Gone #1
Anthology Three
Big in Japan
Dark Ascension
The Amateur Astronomer’s Journal

Best Writer
Supported by Mlitt in Comic Studies, University of Dundee
(3 Nominees)

John Lees for And Then Emily Was Gone #1
James Devlin for Dark Ascension
Neil Slorance for The Amateur Astronomer’s Journal

Best Artist
Supported by DJCAD, Duncan of Jordanstone College of Art & Design
(3 Nominees)

Iain Laurie for And Then Emily Was Gone #1
James Devlin for Dark Ascension
Neil Slorance for The Amateur Astronomer’s Journal

Best Cover
Supported by Commando Comics
(3 Nominees)

Iain Laurie for And Then Emily Was Gone #1
Morag Kewell for Big in Japan
Dave Alexander for Collected McBams

It’s an honour just to be nominated, and I’m in some prestigious company here.  But who I’m really rooting for is the immensely talented Iain Laurie in his categories, as he’s a fantastic artist hugely deserving of every bit of recognition he gets.

You can check out And Then Emily Was Gone and all the other nominated comics at Plan B Books in Parnie Street, Glasgow now, where they have a little SICBA viewing area set up.  But you’ll only be able to vote on Saturday 13th July at Glasgow Comic Con, in the CCA on Sauchiehall Street.  So buy your tickets, come along for a great comic-filled weekend, and VOTE!  You don’t have to vote for me… but you DO have to buy my comics!  BWAHAHAHAHA!

For more information, check out http://www.glasgowcomiccon.com.

SICBA2013Shortlist

Glasgow Comic Con 2013: A Creator-Owned Comics Preview

So, there’s a comics convention coming up in July that I’ve been looking forward to all year.  “Oh, San Diego?” I hear you ask.  Nope!  I’m talking about Glasgow Comic Con!  Sure, the climate ain’t as sunny as SDCC, but for the past two years my hometown con has put on a hell of a show.  In 2011 and 2012, the event was held in the Mackintosh Church Arts & Heritage Centre, a lovely venue full of character which I personally enjoyed, as it was so unlike your typical convention hall.  However, the downside was that it was way outside the City Centre, so getting there was a bit of a chore.  But for the third annual Glasgow Comic Con, running from Saturday July 13th to Sunday July 14th, the organisers have switched to the Centre for Contemporary Arts, better known as the CCA: a cracking, upmarket venue with a brilliant location right in the heart of the City Centre.  Things are primed for this year’s convention to be the best yet!

As an independent creator, there’s one thing in particular that makes me really like Glasgow Comic Con.  Yes, the show has had its share of high-profile guests – with the likes of Grant Morrison, Frank Quitely, Jim Starlin and Mark Millar all making appearances over the past couple of years – who are game for panels and signings.  Yes, there are bargains on back issues and graphic novels to be found in the exhibitor area.  But last year, something that has stood out to me is that, perhaps more than any other con I’ve attended, the “star attraction” seems to be local creator-owned comics.  Last year, there were many reports of quick sellouts of sizeable amounts of stock from numerous indie creators, with a recurring problem (and a good one to have!) being pros selling out of all their stock by the end of the first day or the start of the second day and have nothing left to offer even as fans kept on coming up to their table looking for stuff to buy.  I personally had my most profitable convention ever at last year’s show, and I’ve exhibited at Thought Bubble and New York Comic Con.  I had some of the easiest pitching experiences in my life: I have a little blurb rehearsed in my head that I cycle out on punters on the convention floor, but often at Glasgow Comic Con I’d only make it as far as “Hi, can I interest you in my comic, The Standard?” before they’d cut me off with a “YES PLEASE!” and put money in my hands.  There were folk who just started at one end of the show floor and went through every small press table, buying something from everyone.  There’s something about the Glasgow comic fanbase that has a strong interest in supporting local talent, it seems.  It’s reflected in the prominent, popular “local” sections in our comic stores.

Given the highly positive experience of last year, there has definitely been a buzz around the thriving Scottish comics community over the past several months, a feeling of just about everyone working away on something in hopes of getting it ready in time for the con.  I for one love it that the debut of the latest comic from this local creator or that is feeling like an event and an attraction that will be drawing people to the convention.  Of course, I’ll be there as a pro and an exhibitor, but as a reader, the thought on getting my hands on the latest work from Neil Slorance or Craig Collins is a major draw.

Bearing all this in mind, we return, in a roundabout way, to the purpose of this feature.  I want you all to be as excited about the wealth of Scottish comics being showcased at Glasgow Comic Con as I am, so I want to do a rundown of the diverse range of creator-owned comics debuting at the show.  I firmly believe there’ll be something for every comics fan available.  Let’s get started!

THE STANDARD

TheStandard04_18pSelfishly, I am opting to begin by promoting myself!  I shall take that as a perk of being the guy to write this thing!  For me, The Standard was the comic that started it all.  My first experience attending a convention in any sort of professional capacity was Glasgow Comic Con 2011, where The Standard #1 was nominated at the Scottish Independent Comic Book Awards (or SICBAs) affiliated with the convention.  Fast forward to 2012 and I had a table at the show, and The Standard went from being an award-nominated comic to an award-winning title, with me earning the Best Writer trophy for issue #3.  As mentioned above, I had a hugely successful con, with my graphic novel collection of the first 3 issues of the series proving to be a big seller.  And now, a year later, after much demand, The Standard #4 will finally be ready to make its debut at the con!

TheStandard04_05pWe’re just putting the finishing touches on it now, and I have to say, I’m so proud of the work everyone has done on this.  From a scripting perspective, I’d say it’s a leap forward from the previous three issues.  Jonathan Rector’s artwork is perhaps the best it’s ever been.  Mike Gagnon is settling very nicely into his role as permanent colourist – the first person to last more than one issue in the role!  And Kel Nuttall continues to deliver consistently ace letters.  I’d definitely say The Standard #4 is the best of the series thus far…. and Glasgow audiences will get to read it before anyone else in the world!  We’re currently pencilled in for a worldwide Diamond release in October, but attendees at the convention will be able to pick up their advance copy in July, a whole 3 months earlier!  Not only that, but this will be a Glasgow-exclusive edition, with a new cover by Scottish artist Iain Laurie drawn specially for the show.  It’s still in development, but here’s a sneaky peek:

IainLaurie4CoverBut that’s not the only comic I’ll be debuting at the con…

BAD SUN

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Chris Connelly has some form at Glasgow Comic Con.  He was one of the aforementioned small press success stories last year, with his debut comic Reality War selling out in record time and marking the young artist out as an emerging creator of note.  It was at Glasgow Comic Con 2012 that the two of us really got to chatting about the possibility of working on a comic together.  And from those discussions came Bad Sun.

For those of you unfamiliar with my previous conversations about the comic, Bad Sun is a sci-fi comic set in a future where an alien race known as the Tchairabuns have migrated to Earth, and have now been living amongst us for some 30 years.  While most stories may adopt a setting of New York or Los Angeles, or maybe London, to show how the world would react to such an event, Bad Sun is set right here in Glasgow, Scotland.  It’s not a locale used often in sci-fi tales, but I think the local angle will be highly appealing to the comic fans attending the convention.  The story centres around Lennidasz Cowan, a Tchairabun adopted in infancy by human parents who forged a trailblazing career in the police force, and who now finds himself appointed the leader of a new taskforce dealing with human/Tchairabun relations in Glasgow.  In this role, he has to deal with both the machinations of a Tchairabun extremist terrorist group and the anti-alien prejudices felt by some of the city’s human population and even his own team.

The first issue of this new 6-part miniseries will be on sale at Glasgow Comic Con, and contains both a 24-page main story, drawn by Chris Connelly, and a 5-page backup tale drawn by Jason Mathis of School of the Damned fame.  We’re packing in the content here!  Both Chris and I will be at the table selling the book, so come along to meet the co-creators and pick up the first chapter of what could be my most ambitious comics narrative yet!  Chris Connelly will also be selling original art and prints, and doing commissions most likely, so you won’t want to miss that!

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That leaves one more book of mine to promote…

AND THEN EMILY WAS GONE

coverIain Laurie has good form at Glasgow Comic Con.  Back in 2011, he was award-nominated for his stellar work on Roachwell, where I first became a fan of his.   In 2012, he didn’t have a table or an official presence at the show, but I did buy off him my copy of Iain Laurie’s Horror Mountain, which ended up being the best thing I got at Glasgow Comic Con 2012.  Now, at GCC 2012, I’m pleased to report that Iain Laurie will be tabling with me and Chris Connelly, doing commissions (an original Iain Laurie sketch is near the top of my con wishlist) and helping me sell copies of the first issue of And Then Emily Was Gone, the 5-issue miniseries we have co-created.

Page3And Then Emily Was Gone begins with Greg Hellinger, a man who sees monsters.  Formerly a police detective with the Missing Persons Bureau, renowned for his ability to find people thought lost forever, the visions Hellinger is afflicted with have left him a broken man.  But then a 17-year-old girl called Fiona shows up at his door.  Her best friend, Emily, has gone missing, and Fiona has reason to believe only a man of Hellinger’s unique skill set can help her.  So begins a journey to Merksay in the Orkney Islands, a strange place where horrible things are happening…

The benchmark Iain and I often talked about while developing this comic was Twin Peaks.  We wanted to capture that weird, slightly off-key vibe, permeated with a cloud of dread hanging over everything.  I think this simultaneously manages to be both Iain Laurie’s most mainstream work and my most bizarre and out-there.  It’s an unusual comic, to be sure, but one I’m highly proud of.  I’ve said it until I’m blue in the face, but it bears repeating that I am unbelievably excited to be working with Iain Laurie, particularly on such a subtantial project, and I quite simply cannot wait to share it with you.

Page7And thus ends the self-promotion!  This is by no means all about bigging myself up, as I’m just one of several local creators showcasing work at Glasgow Comic Con.  For starters, And Then Emily Was Gone isn’t the only debut featuring artwork from the venerable Iain Laurie.

METRODOME

Metrodome1Iain Laurie reunites with Craig Collins, who paired with Laurie for Roachwell in 2011 before making a splash with his Haunted Bowels at last year’s con, for a new anthology of strange tales.  In the convention’s three-year history, Craig Collins singular creative voice has already made him something of a fixture.  The unique visual stylings of Iain Laurie have proven to be a worthy match for Craig in the past, so I’m keen to see where that collaboration takes them with Metrodome.  The actual plot remains elusive, beyond the vague teaser of “The Fight for Survival, The Battle for Ultimate Victory!”  But considering the talent involved, this is already a guaranteed con purchase for me.

Metrodome2Guaranteed to have a major presence at the con is Black Hearted Press, Glasgow-based comics publisher and also the organisers of the convention.  They have a veritable slate of quality projects primed to unleash on  con attendees this July, both established brands and exciting new titles.  Let’s take a look at what they have in store…

THE SCHOOL OF THE DAMNED

SchooloftheDamned5Arguably the flagship title of Black Hearted Press, The School of the Damned has already proven successful enough to sustain its own spinoff title, The Children of the Damned.  Played like a love letter to the classic Universal horror movies, the series focuses on a school of monstrous misfits derived from the iconic horror archetypes of that cinematic golden age, set against the backdrop of WW2-era Nazi Germany.  I’ve spoken fondly of the series myself in earlier reviews, with its mix of clever plotting by John Farman and lush artwork first from James Devlin in issue #1 and then Jason Mathis in issues #2-#4.

With The School of the Damned #5, launching at the con, we welcome a new art team to the fold in the form of Thomas Crielly and John Howard.  I’ve had a glimpse at some of the stuff these guys are doing, and it is lovely stuff, living up to the high benchmark set for the visuals on this series by their predecessors.  This issue, the penultimate chapter in the series’ first arc, promises a major character death and a beast of a cliffhanger, and also boasts the jawdropping cover by the mighty Alex Ronald seen above.  I presume the rest of the series thus far will also be available, and I heartily recommend that horror fans check this quality series out and catch up on the story so far.

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‘Great concept; good characters; intriguing storyline; art and writing up to the task – terrific!’ – Ian Rankin

LAPTOP GUY

On the opposite side of the spectrum from the Gothic stylings of The School of the Damned, and a testament to the diversity of their lineup, comes Laptop Guy.  Originally a comic by cartoonist Sha Nazir about the adventures of the eponymous laptop-headed protagonist, this series relaunch sees Nazir return on art duties while joined by writer Jack Lothian.  The series has been reinvented as a metatextual, very loosely “biographical” comic about a fictionalised version of Sha Nazir and his struggles to make the previous incarnation of Laptop Guy, here characterised as an utter turd of a comic: “Failure has a new name,” reads the tagline, “And that name…. is Laptop Guy.”.  I’d call that harsh, as I found the original Laptop Guy to be a charming book, and I know people who speak of it fondly, but it does make for a funny conceit to build the narrative around.  This is billed as a “sitcomic”, a term I’ve had in my head for ages and am so pissed that Sha got to capitalise on it before I could, and having got a sneaky peek at the issue, I can confirm it does bring the funny, and shades of the movie Adaptation.  At the very least, Laptop Guy #1 is more successful than its fictionalised counterpart!  The first instalment of this relaunch will be available at the con, so check it out for yourself.

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‘A guy with a laptop for a head… Weird and funny. – Bill Bailey

MAXIMUM ALAN

MaxAl_1_reprint_layoutAnother offering from Black Hearted Press, this one is truly bizarre.  It’s a violent, surreal tale, starring legendary comics writer Alan Moore.  And Alan Moore.  And Alan Moore.  And Alan Moore.  And Alan Moore….

You get the idea.  Issue #1, which I picked up at the convention last year, began with the real Alan Moore going about his misanthropic daily life, only to be confronted by an army of murderous parallel dimension Alan Moores out to eliminate him.  And things got weirder from there.  This year, writer Ross Leonard and artist Brian Rankin are back with a second helping, as issue #2 debuts in time for the con.  I have heard whisperings of cameos from other famed comic creators, too!  The solicit describes Maximum Alan as “a comic trip unlike any other”, and no one can argue the uniqueness of this oddity, that’s for sure!  I thought this was a good laugh, and I’m sure the second chapter will be more of the same.  Look out for it at the show!

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ROYAL DESCENT

The final Black Hearted Press book to be featured at Glasgow Comic Con, and perhaps the one I’m most looking forward to.  The high concept behind the series just sounds brilliant.  With the fall of the British Government and society in ruins, a new and powerful political party takes the reigns in this dystopian vision of a future Britain. The Austerity party’s first act is the public execution of the British Royal family… by their own hand.  From there we launch into what seems to be “The King’s Speech meets Battle Royale,” which promises to make for a brutal, controversial, eerily relevant comic experience.  John Farman has some big ideas for this one, and all the artwork I’ve seen from John Howard suggests he’s a real talent of note worth keeping an eye on, so I wouldn’t be surprised if this ends up being a breakout hit of the convention

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Black Hearted Press are a veritable juggernaught of Glasgow comics, and as you see will have a wealth of material on offer at the con.  But there is a wide selection of other creators also showcasing their comics at the show.

GLoW 2

Glow2The Glasgow League of Writers is a great network of creators based in and around the city, who meet fortnightly for a kind of writer’s circle for comic to read and provide feedback for each other’s scripts.  It’s an invaluable creative resource, one I’m proud to have been a founding member of.  At last year’s Glasgow Comic Con, our debut anthology, creatively titled GLoW 1, was another of the con’s sell-out successes.  That first volume was on a superhero theme.  This second volume, with the similarly creative title of GLoW 2, has switched genres to horror.  With a wider stable of writers and artists contributing, and a higher quality of storytelling all round, I’d say those who picked up the first anthology at last year’s show and enjoyed it definitely won’t be disappointed by this follow-up.

I’ve got two stories in GLoW 2: “Floorboards”, drawn by my old friend James Fairlie, and “Open House”, drawn by my Bad Sun collaborator Chris Connelly.  And there’s also work from a whole range of new and established Glasgow talent.  Be sure to head over to the GLoW table and check it out!

Open_House_Page_4Speaking of GLoW members…

NO MORE HEROES

NoMoreHeroes4A little anecdote I never tire of telling is that, at the very first GLoW meeting back in 2011, the very first script on the agenda was Gordon McLean’s No More Heroes #1.  Back then, it was clear Gordon was writing something special, and since then we’ve seen that first draft script grow into a 4-issue miniseries, we saw the original roughs and sketches of artist Caio Oliviera, and then we saw it all blossom into a complete comic.  And at last year’s SICBA awards, No More Heroes walked away with the coveted award for Best Comic.  Since then, the remaining issues have been released, and now the conquering hero returns to Glasgow Comic Con with the complete series in tow.

The story only got better with each passing issue, so Gordon and his comic must surely be considered front-runners to make lightning strike twice for awards glory.  It really is a fantastic series, a dark twist on the superhero genre that sees a hapless Everyman dragged into a murky world of violence and villainy after his dismissive response to what he believes is a prank call results in the suicide of a famed superhero.  Whether it’s catching up on the whole series or scooping up any issues you missed, this is a highly recommended purchase for your Glasgow Comic Con visit!

NoMoreHeroes3aTHE MIND PALACE

MindPalaceLuke Halsall is another founding member of the Glasgow League of Writers.  Perhaps best known for his journalistic work for Geek Syndicate and his prose work that has found quite the following on the Kindle market, his comic work has mostly been limited to shorts in anthologies.  The Mind Palace marks Luke’s first foray into a substantial solo comics project, an anthology piece filled with various shorts, all written by Luke and drawn by a wide range of artist, covering a variety of genres but unified with an uneasy weirdness of tone.  Luke is notorious for his iron-clad pitching abilities on the convention floor, so whether you plan to or not, expect to leave Glasgow Comic Con having bought a copy of The Mind Palace, along with an odd sock and a bridge.

MindPalace1I’ve also heard reports that Luke Halsall will be debuting another top secret comics project at Glasgow Comic Con, drawn by Villainous artist Graeme Kennedy (who will also be selling Villainous alongside writer Gary Chudleigh).  Keep your eyes open!

VAMPIRE VIXENS OF THE WEHRMACHT

VampireVixens1Two years ago, artistic wunderkind Alex Ronald made everyone’s eyeballs explode with his stunning artwork in Vampire Vixens of the Wehrmacht, a story being serialised in the Wasted anthology.  He ran away like a bandit with the Best Artist SICBA that year, and has spent the time since even further honing and refining his craft to the point where not just your eyeballs, but your whole cranium is at eruptive risk from exposure to his perverse visual delights… as Vampire Vixens of the Wehrmacht is back, this time not just as an anthology short, but as a full, self-contained oneshot!

Vampire Vixens of the Wehrmacht features the wartime adventures of a gorgeous Nazi Vampire defector and a pompous British Army chaplain as together they take on Hitler’s occult horde.  It’s boobs, blood, guns and gore with political correctness thrown out the window.  That’s the setup, and that’s really all you need, isn’t it?  Ridiculous, high-octane exploitation, with Nazis, vampire, Nazi vampires, and more cheesecake than you can poke a stake at.  And it’s all held together by Alex Ronald’s stunning painted artwork, chanelling the likes of Alex Ross and Jon J Muth.  Alex will be tabling at Glasgow Comic Con, where he’ll be offering Vampire Vixens of the Wehrmacht with two variant covers, in a volume boasting an introduction from none other than Mark Millar.  This is sure to be a hot item at the show.  I know I’ll be buying it!

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TEAM GIRL COMIC

One of Glasgow’s most popular indie comic exports, Team Girl Comic has found fans all across the UK.  I for one saw them make a killing at the Thought Bubble convention in Leeds last year.  The central conceit of Team Girl, as the title might suggest, is that it’s a comics anthology created entirely by female cartoonists.  Their open submissions policy has seen a diverse range of content in past issues, with a few schoolkids even contributing from time to time, but quality stalwarts such as Gillian Hatcher and MJ Wallace remain a recurring presence in the series.  Their latest issue – Team Girl #8 – will be available at the con, as will earlier issues, I’m sure.  These books seem to go down really well with the all-ages audience, I’ve noticed, though that shouldn’t be taken to mean kids only: there’s enough charm and smarts on display for readers of all ages to enjoy. 

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However, I’m pleased to report that Team Girl Comic won’t be the only offering from the talented Gill Hatcher…

BUNNY BEHIND THE MOON

BunnyBehindTheMoonPart comic, part children’s storybook, Gill’s latest project looks quite simply delightful.  Wonder is a little schoolbunny with unusually long ears. One day these ears start to receive strange messages – someone appealing for help. Could it really be a bunny astronaut lost in space? Wonder must use her intelligence and bravery to rescue the bunny behind the moon.  Packed full of adorably-drawn bunnies, this book is set to overload your “Aaaaaaw!” sensors, and should prove a great showcase for the skills of Gill Hatcher as she moves from the collaborative Team Girl network into a project where the spotlight is all on her.  I remember reading an early draft of the script for the book way back when at a GLoW meeting, and thoroughly enjoying it, so I’m highly anticipating seeing the finished product.  I expect it to do very well at the con.

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BIG IN JAPAN

BiginJapanAnother talented new creator who’ll be presenting at Glasgow Comic Con is Morag Kewell.  I knew Morag as one of the Hope Street Studios crowd, though I thought of her as more of an artist of models and crafts like hand-made jewellery as opposed to comic illustrations.  But it turns out Morag has multiple strings to her bow, as at the Dundee Expo earlier this year, this comic book travelogue of her trip to Japan proved to be a big hit.  I had thought of Neil Slorance as the undisputed champion of the comic travelogue, but it seems like this sub-genre is a growing niche on the Scottish comics scene.  It’s a nice demonstration of how comics are a medium, not a genre, and any kind of story – including non-fiction stories – can be told in the format.

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FAT-MAN AND RIBBON

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I gave the #0 preview issue of this fun superhero parody a positive review back when I read it, but said that it was really just a teaser, and that the proper issue #1 would be the real test of the book’s quality.  And now, Fat-Man and Ribbon #1 is set to launch at Glasgow Comic Con.  When Matthew Charles Marlowe, C.E.O. of the world renowned clothing empire Fat Men, Inc., is suddenly confronted by the dastardly machinations of sinister and powerful forces of anarchy he has but choice: become the hero his city kinda sorta needs! Set in the fictional, future capital city of Scotland, Metro Scotia, Fat-Man and Ribbon is a semi-autobiographical tale of justice, adventure, intrigue and hetero life partnerships.  Written by Martin Ferguson, and with wonderfully crazed artwork by Andrew Docherty, I am expecting to be entertained!

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COSPLAY KILLERS

CosplayKillers1Written and drawn by Craig Longworth, Cosplay Killers has been cropping up in comic shops all over Glasgow, and now Craig will be bringing the first issue to the city’s native comic convention.  The book’s about a ragtag group of misfits enacting violent retribution on a “hit list” of what they feel to be the worst of society.  It’s Craig’s debut comic, from what I understand.  I remember the excitement and terror of trying to put my first comic out there with The Standard #1 a couple of years back, so kudos to Craig for diving in with Cosplay Killers.  It looks like suitably bonkers small press fun!

CosplayKillers2But I’ve saved perhaps the best for last…

THE AMATEUR ASTRONOMER’S JOURNAL

AmateurAstronomersJournalI’ve been interested in Neil Slorance’s work since his collaboration with writer Colin Bell on Jonbot VS Martha.  It has a quirky, cartoony cuteness to it that contains a surprising amount of expressiveness once you get into it.  But where Neil truly came into his own was with his aforementioned travelogues, Nine Lines of Metro and Seven Days in Berlin.  Making the jump from artist to cartoonist, Neil added another string to his bow, showing his art could be more than just cute and funny, it could be poignant and even heartbreaking, and pack surprising emotional wallop.  I was so impressed by Neil’s 2012 output that I’m now automatically invested in anything with his name attached, meaning this announcement of a move from non-fiction back to fiction for Neil is highly intriguing to me indeed.

Incorporating some of Neil’s real-life passion for science and astronomy, the plot of The Amateur Astronomer’s Journal is likely evident in the title.  But Mr. Slorance promises a bit of “sap” (his word) too, so I’m preparing for a tale that’s bittersweet and moving and brings all the feels.  This will probably be my first purchase at the show, and it’s a debut I’m anticipating more than most Marvel/DC stuff on the horizon.  Check it out for yourself to see what all the fuss is about.  And while you’re at Neil Slorance’s table, be sure to pick up his earlier books, and maybe get a sketch from him while you’re at it.  He really is a nice, talented fellow.

AmateurAstronomersJournal1So many great creator-owned comics for you guys to buy.  And that’s not including the other awesome comics from Glasgow creators I know to be in development, but which sadly won’t be ready in time for the show.  Stephen Sutherland and Gary Kelly’s pulse-pounding thriller Neverending, Garry McLaughlin’s mind-boggling sci-fi epic Gonzo Cosmic, and the top secret new collaboration from Colin Bell and Neil Slorance… each one of these not being available for me to get my hands on at Glasgow Comic Con is devastating in itself, but all three of them being absent is quite simply heartbreaking.  I’ll keep my eye out for all three in the hopefully not-too-distant future!

Hopefully this highly lengthy piece has demonstrated just how much talent there is in the Glasgow comics scene.  There is a rich selection of creator-owned comics set to be featured at this year’s Glasgow Comic Con, a lineup so strong I’d willingly match it up against the small press corner of any con in the world this year.  If you’re a comic fan in Glasgow, you have no excuse: get yourself to Glasgow Comic Con, CCA, July 13th-14th.  If you’re a fan of quality independent comics from further afield, on the other side of the UK, hell, the world… you should make the pilgrimage to Glasgow for this show.  Come join us, you can sleep on my couch!

Tickets are available to buy from the CCA or Plan B Books, or online at the official website.  Get yours now!  This show is gonna be the baws, and as both an exhibitor and a fan, I can’t wait.

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2013 Preview: And Then Emily Was Gone

I’ve had quite a bit of fun this week, laying out my various upcoming comics projects and sharing a selection of awesome artwork I’ve received from my talented collaborators.  For today’s final entry in my little 2013 Preview series, I’ve got something special for you.  Regular readers of this blog will know that I’m a huge fan of artist Iain Laurie.  A hero of the Scottish comics scene, Iain Laurie has blown me away with his unique, visionary artwork on the likes of Roachwell, Mothwicke and Horror Mountain (the latter ranking at number four on my list of the top 10 comics of 2012, up there alongside the best of DC, Marvel and Image), and I’d rank him as one of my favourite artists: not a patronising “one of my favourite indie artists”, but one of my favourite artists in comics, full stop.  Well, in 2013, I shall be ticking one of the items off my comics bucket list and doing a comic with Iain Laurie!

Initially, the two of us were scheduled to collaborate on a different project, something large-scale that still must be kept top secret.  That project is still in the mix with a major publisher, but is in something of a holding pattern at the moment, and could be for some time.  So, rather than just waiting for that to materialise and for us to finally get the greenlight on that, Iain and I decided to come up with something else to work on together in the downtime.  Iain fired three great story ideas my way, one of which was called And Then Emily Was Gone and revolved around the mystery of a missing girl on a remote Highland community.  I loved all three ideas, and due to my vaulting ambition which o’erleaps itself, I decided to combine elements of them all into a single intricate narrative, taking the title from the aforementioned story outline.  From this, And Then Emily Was Gone was born.

AndThenEmilyWasGonePromoGreg Hellinger was once a brilliant detective, specialising in finding missing people who had seemingly vanished from the face of the earth.  But five years ago, he started seeing monsters.  Plagued constantly by nightmarish visions he is unable to comprehend, Hellinger left the police and has retreated into a life of squallor and seclusion, slowly being driven mad by the demons that haunt him.  But one night, a teenage girl shows up at his door, asking for help.  The girl is called Fiona, and she has fled from her home on the Scottish island of Merksay, in Orkney.  Her friend Emily has gone missing, but what happened to her?  Is she a runaway, as the authorities believe?  Has she fallen victim to an ancient supernatural evil, as Fiona fears?  Or is it a monster of the human variety that lies at the heart of this mystery?

Mystery.  That’s the key word that is at the core of And Then Emily Was Gone.  I’m a huge fan of Twin Peaks: there’s a strong case to be made for it being the greatest TV show of all time, and I think it’s fascinating to look at the phenomenom created around that shows central mystery of “Who killed Laura Palmer?”  I think the serialised nature of the comic medium makes it a perfect place to present such an ongoing mystery, and I would love to emulate that with And Then Emily Was Gone.  I talked yesterday about how Bad Sun could be my most narratively ambitious project yet in terms of its scale, but And Then Emily Was Gone could in fact be just as ambitious in its scope.  While I do have a 6-issue arc in mind to introduce us to this dark, eerie world, this is a mystery that could easily unfold over 10, 20, maybe even more issues, depending on just how deeply I want to explore its various dark, murky corners.

Not that the homage to Twin Peaks ends with the mystery element.  I remember seeing not just Twin Peaks, but other works of movie maestro David Lynch – the likes of Mulholland Drive, Blue Velvet and Lost Highway – in relatively quick succession, and they just blew my mind and changed the way I thought about storytelling.  And while my approach to narrative has been mostly straightforward since branching out into comic, I’ve been very curious to experiment with something more off-kilter.  One of my favourite quotes regarding Lynch’s work was how it could exist “in the twilight realm between the crime and horror genres,” and that’s where I see And Then Emily Was Gone existing.  More recent British output such as Kill List and Utopia has also been chucked into the melting pot of influence, hopefully resulting in a comic that’s going to feel deeply strange and unsettling, with even innocuous interactions laced with an impalpable menace and a cloud of dread hanging over the narrative.  Or it’ll just be crap.  Either way, at least it’s going to look stunning!

Iain has been bombarding me with fantastic character sketches and designs, but I simply can’t wait to start seeing his sequentials.  The first issue script is written, and it’s going to me amazing seeing Mr. Laurie bring it to life.  As is the case with Bad Sun, the plan is to compile a submission package and shop And Then Emily Was Gone out to publishers.  But, as is also the case with Bad Sun, there is also a plan in place to get the first issue of this series ready to launch at Glasgow Comic Con in July.

Which brings me to an announcement.  I am now confirmed for Glasgow Comic Con on 13th-14th July, at the CCA in Sauchiehall Street, Glasgow.  I’ll be in attendance, sharing a table with both Chris Connelly and Iain Laurie.  This is very exciting news for me, as – and I was shocked to discover this – Glasgow Comic Con 2013 will mark Iain Laurie’s first ever official appearance at a comic convention!  So, rush in your droves to our table, get sketches, get copies of his other fantastic comics, and pick up And Then Emily Was Gone!

UPDATE: I’m now able to share with you guys a sneak peek at a couple of mind-blowing interior pages for the first issue, as drawn by Iain Laurie.  Take a glimpse inside the nightmarish world of Greg Hellinger…

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2013 Preview: Bad Sun

Thus far, all the comics projects I’ve previewed in this series have already had some degree of exposure.  The Standard, The Oxymoron and the GLoW anthologies have all been publicly promoted and available for sale in one market or another.  Even Black Leaf had a little preview book that I made up for handing out to editors and publishers at cons that some folk have had a look at.  For the remainder of the week, though, we venture into the unknown, as I get to announce two brand new comics that I’m currently writing, set for release in 2013.

The first of these is Bad Sun, co-created with artist Chris Connelly.  The story behind this is quite interesting, as instead of me coming up with a story idea then seeking out an artist, in this case the artist came first.  I’d gotten to know Chris via having mutual friends on the Glasgow comics scene, and hanging out together at cons and events.  His award-nominated comics debut, Reality War, had been another big success story of Glasgow Comic Con, and currently holds the record as Scotland’s fastest-selling indie comic ever, I believe.  We worked together on the GLoW 2 short featured on yesterday’s blog, and from there thought it would be fun to work on something bigger.  So, Chris asked me to come up with ideas for stories for him to draw.  That was an interesting challenge for me: after my beginnings of working in comics, where trying to find artists for your script was a titanic struggle, now I had talented artists approaching me looking for a partnership!  I came up with a couple of ideas that didn’t grab Chris’ interest, but then one sunny afternoon (a rarity for Glasgow, I know!), while digging up soil in the garden, the idea for Bad Sun came to me, and I knew it would be a great fit for Mr. Connelly.  I refined the idea, pitched it to him, and our collaboration was decided!

Lennii1This handsome fella is Lenniidasz Cowan, better known as Lennii.  He’s the protagonist of Bad Sun.  He’s a policeman in a future Glasgow not entirely unlike the present-day version.  And, as you might have noticed, he’s also an alien.  In the not-too-distant future, an alien race known as the Tchairabun arrive on Earth.  A portion of their population had escaped from their dying homeworld on a ramshackle armada of ships on a one-way journey, settling on Earth as their final destination.  They landed all over our planet, being treated differently by different countries.  In Glasgow, they were pretty much accepted and integrated into society, but even as our story begins, 35 years after their arrival, they still carry the stigma of being second-class citizens.

Lennii here is something of an exception.  Raised from infancy by a human family (hence the “Cowan” surname), Lennii was granted many of the opportunities denied his Tchairabun brethren, enabling him to enjoy a good education, and an opening in his dream career on the police force.  After excelling in his duty, he has found himself recently promoted to Detective Inspector, placed in charge of a new specialised unit specifically focused on Glasgow’s Tchairabun community and human-Tchairabun relations.  Torn between the outside threat of an enigmatic Tchairabun extremist group known as Red Kroara and the interior challenge of an all-human team under his command that may resent taking orders from an alien, and set against the heated political backdrop of a nation divided over the Tchairabun right to vote, Lennii also has to wrestle with dark secrets and personal demons that threaten to destroy everything he is fighting for.

For me, sci-fi is at its best when it uses the future to say something about the present.  The prejudice the Tchairabuns endure certainly holds some parallels to stuff going on in the world and even in Glasgow specifically today.  Of course, while I wanted to tell a story that’s culturally relevant, I still want it to be a rollicking thriller with badass action sequences and tense set-pieces, so hopefully I’ve captured that balance.  Narratively, this could be the most ambitious comic story I’ve attempted yet.  Like The Standard, it will be a 6-issue miniseries, but the complexity of the plot and the sprawling size of the supporting cast is going to make it a challenging juggling act that I hope I can pull off.  Also, for me, setting the story in Glasgow was a crucial aspect of the story.  We’ve had so many future visions of New York, or Los Angeles, or even London, why not my beloved home city of Glasgow?  This is a city with interesting, unique architecture and character that has not yet been explored to its fullest potential in fiction, certainly not in comics, and I want to do my part to amend that.

The first issue of Bad Sun has been written, and is currently being drawn up by Chris Connelly as we seek out a colourist and assemble together a pitch document for submitting to publishers.  But whether it’s lined up with a publisher by then or we have to self-publish a preview run, one way or the other look for Bad Sun #1 to make its debut at Glasgow Comic Con in July.  With the story’s strong Glasgow connection, how could we not debut it there?  In the meantime, to whet your appetite, here’s a sneak peek at the pencils and inks of the first two pages.  Some excellent, career-best work by the fantastic Chris Connelly, if I do say so myself!

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